Abraham van den Tempel(1622 - 1672) was a Dutch Golden Age painter. He probably learned painting from his father, also a painter, but who died when he was still quite young, in 1636. That is the same year that he moved to Amsterdam, where he stayed until 1647, whereupon he moved to Leiden. According to Houbraken he was the son of a Mennonite preacher in Leeuwarden who was a respected art teacher. His father was Lambert Jacobsz (or Jacobszoon), who had taught Govert Flinck and Jacob Adriaensz Backer in their youth, both of whom were artists from Mennonite families. Abraham took the name Tempel because when he studied in Leiden, he lived in a house there with a relief of a Tempel in the keystone. He became a pupil of Jacob Backer, and studied mathematics at Leiden University. He met with great success with the Leiden city council, earning several generous commissions, including a series of three large allegorical paintings on the cloth industry of Leiden for the Cloth Hall which still hang in their original place today in the Stedelijk Museum De Lakenhal. Sir William Davidson of Curriehill, Conservator of the Cloth Staple at Veere (with his son Charles), 1664.He became master of the Guild of St. Luke in 1657 and in 1659 he was chartermaster. In 1660 he returned to Amsterdam. His pupils were Frans van Mieris the Elder, Carel de Moor, Michiel van Musscher, Ary de Vois, and Isaac Paling | |||
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Minerva Crowns the Maid of Leiden Gemälde ID:: 70963 Siehe Galerie in Schweden |
Minerva Crowns the Maid of Leiden 1650 Oil on canvas 176 x 221 cm (69.29 x 87.01 in) 1650 _ Oil_on_canvas _ _176_x_221_cm_(69.29_x_87.01_in) |
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Minerva Crowns the Maid of Leiden Gemälde ID:: 72311 Siehe Galerie in Schweden |
Minerva Crowns the Maid of Leiden Date 1650 Medium Oil on canvas Dimensions 176 X 221 cm (69.29 X 87.01 in) cyf Date_1650 _ Medium_Oil_on_canvas _ Dimensions_176_X_221_cm_(69.29_X_87.01_in) _ cyf |
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Portrait of a Woman Gemälde ID:: 73406 Siehe Galerie in Schweden |
Portrait of a Woman Portrait of a Woman (alternative title: Portrait of the widow of admiral van Balen) 1670(1670) Oil painting on canvas 123 x 103.5 cm cjr Portrait_of_a_Woman_(alternative_title:_Portrait_of_the_widow_of_admiral_van_Balen) 1670(1670) _ Oil_painting_on_canvas _ 123_x_103.5_cm _ cjr |
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Albertine Agnes von Oranien Nassau Gemälde ID:: 84329 Siehe Galerie in Schweden |
Albertine Agnes von Oranien Nassau Öl auf Leinwand, Fries Museum, Leeuwarden cyf Öl_auf_Leinwand,_Fries_Museum,_Leeuwarden cyf |
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Portrait of a Lady Gemälde ID:: 91937 Siehe Galerie in Schweden |
Portrait of a Lady Oil on canvas 1660-1663 cjr Oil_on_canvas 1660-1663 cjr |
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1 | Vorheriger Künstler Nächster Künstler | |||||||||
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| Abraham van den Tempel | ||||||||||
| (1622 - 1672) was a Dutch Golden Age painter. He probably learned painting from his father, also a painter, but who died when he was still quite young, in 1636. That is the same year that he moved to Amsterdam, where he stayed until 1647, whereupon he moved to Leiden. According to Houbraken he was the son of a Mennonite preacher in Leeuwarden who was a respected art teacher. His father was Lambert Jacobsz (or Jacobszoon), who had taught Govert Flinck and Jacob Adriaensz Backer in their youth, both of whom were artists from Mennonite families. Abraham took the name Tempel because when he studied in Leiden, he lived in a house there with a relief of a Tempel in the keystone. He became a pupil of Jacob Backer, and studied mathematics at Leiden University. He met with great success with the Leiden city council, earning several generous commissions, including a series of three large allegorical paintings on the cloth industry of Leiden for the Cloth Hall which still hang in their original place today in the Stedelijk Museum De Lakenhal. Sir William Davidson of Curriehill, Conservator of the Cloth Staple at Veere (with his son Charles), 1664.He became master of the Guild of St. Luke in 1657 and in 1659 he was chartermaster. In 1660 he returned to Amsterdam. His pupils were Frans van Mieris the Elder, Carel de Moor, Michiel van Musscher, Ary de Vois, and Isaac Paling | ||||||||||
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